ART VISIONARY MAGAZINE

VISIONARY & SURREALIST
ART
Art Visionary Magazine is an international art journal of the fantastic,
surreal and visionary. It is read by visionary and surrealist artists
and surrealism enthusiasts all over the world.
With
great pleasure I welcome you another edition of Art Visionary Magazine.
Embarking with a very small distribution network and only a handful
of subscribers on release of our debut issue, we have in the course
of the past year steadily established a distribution network which
now reaches out across Australia and beyond to overseas interest,
including New Zealand, the United States, England, Germany, Austria,
Switzerland, France and selected Asian locations.
In addition to this growing distribution network, the subscriptions
and interest continues to come in every day. We are close to being
sold out of Issue 1 and expect Issue 2 to do much better, especially
so with the Art Visionary web presence that has been up on the worldwide
web since June of 1999.
In addition to the magazine, Art Visionary has also expanded its operations
to include a variety of exciting new projects. We have begun to deal
privately again in the work of selected Australian artists, of which
there will be an extensive feature on our web site under ‘Galerie
Art Visionary’.
Secondly, Art Visionary has built a substantial international art
collection, which includes Fantastic, Outsider and Visionary art that
will be used to promote these movements via exhibitions domestically
and abroad over the coming years.
We are also in the last promising stages of developing what may be
our first major public exhibition of the AV collection in conjunction
with Alan Sisley, director of the Orange Regional Gallery in NSW,
Australia, scheduled for early 2001, at this stage of the process,
pending the approval of their board of directors. More information
concerning the Orange Gallery exhibition and other exhibitions promoting
works from the AV collection will soon be available on the AV website
under The Collection Art Visionary.
Next, the long awaited book featuring the life and work of visionary
artist Felix Tuszynski is now to be published in two languages (English
and Polish) by the Plock Art Museum in Poland, and should be available
for sale by March 2000 through the Museum and Art Visionary. Last
but not least, an exciting new book project on the life and work of
the Australian Fantastic Realist artist, Wolfgang Grasse, who is featured
in this issue, is currently in the works. More information on this
project will be periodically placed on the web site pending its release.
As most of you will have noticed, there has been a price increase
for Art Visionary. Having to offset the high cost of expanding the
magazine to double its previous size to 64 pages, having added colour
features to its interior and now with the introduction of Australia’s
new goods and services tax coming into effect this year, we have had
no choice but to do the inevitable and adjust our prices. In this
issue you will find 13 feature articles by established and rising
artists and an expanded book and magazine review section, with highlights
of this issue being the feature interview on Beksinski, conducted
by Piotr Nycek. Beksinski, as many of you would know, rarely grants
interviews, so this is an exclusive that in itself should make this
issue a collector’s item, as with the Bruno Weber article featuring
his amazing fantastic environment explored and written by H.R. Giger.
So, until the next issue, scheduled for late 2000, enjoy this second
release and please visit the web site for further information on Art
Visionary.
I would like to thank the artists, writers, galleries, publishers,
collectors and all art enthusiasts who have supported and believed
in the Art Visionary project over the last year-and-a-half. Without
you, the magazine could not have enjoyed such rapid growth and success,
as it has to date.
A special thanks to Christian De Boeck in South Africa, of the Fantastic
Art Centre for all the time and hard work he has given to undertaking
extensive research in finding new leads and contacts, but especially
so for the creation and maintenance of the Art Visionary web site
which has helped enormously in gaining the overwhelming interest and
support it enjoys today from so many people around the world.
This issue is dedicated to three of the most important people in my
life: my great grandmother and mentor, Marjorie Schuck, the very successful
owner/founder of the Valkerie Press in the United States. Yours has
been a lasting inspiration and I am grateful for the coming together
of our mutual path. To my mother Pamela Djiovanidis. Those long nights
of Jungian exchange and general ‛oddness’ were not only a lot
of fun but fundamental in forming the person that I am today. Lastly,
to my dear wife and best friend, Jenny, who with great patience and
understanding has supported and assisted with all my projects creatively
and emotionally since the very beginning. Thank you so much!
DAMIAN MICHAELS
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